Hey All! I hope you've all been enjoying university here at UWTSD, I've been so incredibly busy this term with being in a touring show. I can't believe the first term of university is almost over! It's gone by so quickly. But I thought what I would do today is give you guys a little insight into what you do in third year in terms of the module Touring Theatre.
We started off the module with two days worth of audition workshops. One that was mainly improvisation based and the other were we dealt with actual pieces of text and script. This allowed Dave and Lynne (two of our lecturers) to cast us in the show that they felt would most suit our skills and would enable us to develop them further. I think the most nerve racking part of the audition was having to sing in front of everyone. The good thing is that we've all had singing lessons before from the wonderful John Quirk who takes us for Musical Performance in the first year. So we were all used to having to sing in front of everyone which made it a whole lot easier. If a lot of us had been asked to do that in first year a lot of us, myself included, would not have had the confidence to do so.
There are four touring groups this year, two of which were devised pieces. The four pieces were:
They Shoot Horses, Don't They? - Directed by Lucy Rivers. This show was about marathon dances in 1930s America.
No help, no fix, no save - Directed by Jain Boon. This was a devised piece about care leavers and the care system in the UK.
Deepcut - Directed by Eleanor Shaw. This show was about the death of Private Cheryl James, as well as three others who died in Deepcut army barracks between 1995-2002 from gunshot wounds.
A Verbis ad Verbera - Directed by Ioan Hefin. This show was a devised piece in response to the world of 2016. This piece contains many different languages.
I was cast in They Shoot Horses, Don't They? which I was so excited about. It was the show I most wanted to be in. We were given our directors tasks for over the weekend and then rehearsal began.
The first week we spent analysing the script and the characters within it. This was so helpful when we were actually cast because we knew each individual character journey and how we, as a company, wanted each of them to be portrayed and shown throughout the piece. When we had exhausted all sorts of script analysis and having ago at staging some of the scenes we were cast. I was so glad to be cased as Mary Hawley, a taxi dancer who ends up marrying her dance partner Vee in the show.
The good thing about this show is that most of the parts are really equally weighed so it meant that pretty much everyone had the same sort of lines. Everyone was off book pretty quickly which made the process much easier to do. We didn't have our scripts in our hand too long which would make it harder to experiment and work with.
We were really lucky with our director because Lucy liked to work in a real collaborative way, if there was ever a problem in the show that needed to be solved, she would ask the cast and crew as a whole if we could come up with any solutions. I feel so privileged to have worked with her. Lucy has her own theatre company called Gaggle Babble and she was a very talented musician and singer which helped when finding the chords for certain songs and helping us all with harmonies for the songs we sang. We had a bit of a live band with some of the songs we sang with helped create a really awesome atmosphere and transported you back to the thirties.
We were also very lucky to work with two amazing DPs who designed the set, sorted out sound, LX, costume and props. We wouldn't have been able to make the show as brilliant as it was without their support and guidance. They ensured that our set was amazing, that our props were authentic and that everything we wore suited the times. Things must have been incredibly stressful at times for them and we tried to be as helpful as we possibly could but I cannot get over how much THEY achieved in a few short weeks.
The rehearsal period for the whole show was five weeks, one of which being the first week where we analysed the script, and the final week which was production week where we did tech and several dress rehearsals. So we really only had three weeks to pull everything together and I think we did an amazing job. It makes such a difference being in a company that works well together and all support each other. Those five weeks of rehearsal were not easy at times, our feet would hurt from dancing, our voices would be hoarse from singing, our bodies would be tired from working 9-5 but I'm sure we can all agree it was worth it.
We all learnt some amazing new skills from doing this module. We learnt how to pack and unpack a van full of set, as well as being able to set it all up, warm up our voices and get into costume within one hour, then take it all down again in an hour. We were taught how to independently reflect on what's going on around us in the get ins and get outs in order to make them efficient
as possible. We did have a lot of set but we all worked so well as a team to get it up and working ready for that beginners call.
We always knew our touring week would be difficult, we didn't have a single day off and most of our call times were quite early. We had seven shows to do in five days and we wanted every single one of them to be perfect. Our hardest two days were Tuesday and Wednesday as we literally did four shows in about 30 hours, with a call time on Wednesday of 6:15 to go up to Aberystwyth ready for a show at 9, having finished our get out at about 10:30 in the Parry Theatre the night before. Everyone was on edge for those two days, but then something happened that made up for it. Previously, our Thursday plan was to perform in the Parry Theatre, but due to popular demand we moved it to a larger space: The Halliwell Theatre. This presented as a bit of a challenge as we had to reblock a few things, before the show was always played on a thrust stage rather than head on. So we all came in a few hours earlier than we needed to in order to sort all of it out. That show went exceeding well and we ended up having an audience of over 90 which was fantastic!
Friday was our last show in Llansteffan and we were unsure as to how many people would actually come and watch this performance. However, we did have a really good audience, mainly of elderly ladies and gentlemen, but the best part of it was, they sang along to quite a lot of our songs! We never expected them to, but as it's their sort of era of music they knew all the lyrics and we had audience members singing along to us which was an amazing experience.
As a year we were so lucky with all of our directors, they're all amazing individuals with such a good vision for their pieces. They Shoot Horses, Don't They? and No Help, No Fix, No Save may be over but Deepcut and A Verbis ad Verbera are still to come. So keep a look out on my Twitter as to the dates that they will be in the Parry theatre. I'm really looking forward to seeing these two pieces, they look awesome and I'm certain they will be spectacular. Touring theatre will always be something I hold dear to my heart, and I am so proud to be a part of this show. Lucy was a fantastic director and I really hope I get to work with her again sometime in the future.
I'm just going to round this off to say a huge thank you to everyone involved in They Shoot Horses, Don't They? I have enjoyed every single second of it. Without all of the hard work of the lecturers, crew, cast and our fantastic director this never would have been the wonderful experience it was. Also a huge thank you to all the venues for having us and for every single audience member who made touring this show so awesome. Thank you so much guys!
Photo credits: Jennie Caldwell



